Category Archives: Celebrities

That’s A Sweet Ride.



Steve: Alright.
Awesome famous cars.
Go.
KITT.
ECTO-1.
The Batmobile.

Joe: A-Team van.

That red stripe is sweet, even if the gas mileage probably sucks.

Steve: Yeah.
The DeLorean.

Joe: Oh yeah.

Steve: Not just any DeLorean. THE DeLorean.

Joe: Right.
…Christine.
57 Chevy from that Stephen King movie.

Steve: Yeah, Christine wasn’t cool though.
Dukes of Hazard car. The General Lee.

Joe: In the Dukes of Hazzard video game, guess what was missing from the General Lee.

Steve: Gasp. What could it be?

Joe: Confederate flag.

Steve: NO!

Joe: You don’t get to have a General Lee without a Confederate flag
Anyway, done with that.
Magnum PI’s Ferrari.

Steve: I don’t know that car.

Joe:

Steve: Oh wait.
There have been two cool Batmobiles.
The Adam West one and the Michael Keaton one.


So those should both be on the list.
All other Batmobiles are retarded.

Joe: Okay.
Even Christian Bale’s tank that goes 75 mph?

Steve: Yes. Even the stupid-ass tank that can jump (not drive but JUMP) onto a rooftop without collapsing it.

Joe: Ferris Bueller Ferrari?

Steve: Oh hell yes.

Joe: I feel like we’re missing a truck somewhere.

Steve: Must be.
Oh the Mach 5.

Joe: What’s that?

Steve: Speed Racer’s car.
Actually, never mind. That’s kind of lame.
BIGFOOT.

Bigfoot the monster truck.

Joe: Bigfoot.
Of course.
Awesome.

Steve: The only monster truck ever to not be stupid.

Joe: Remember the Bigfoot cartoon?

Steve: Yes.

Joe: Haha.
The Bigfoot cartoon was sweet.
As was the Mr. T cartoon.

Steve: No, it was sweeeeeeeeeeeeeeeeeeeeeeeeeeet.
Yes, Mr. T cartoon.

Joe: Wait, I have another van for us.

Steve: Okay.

Joe: Mystery Machine.

Even though it was a cartoon it was awesome.

Steve: Oh that absolutely counts.
Herbie.

Joe: I think that’s all I have.
mmmm… I’m on the fence with Herbie.

Steve: Herbie was the broke, supernatural version of Kitt.
Herbie is to KITT as Jedd Clampett is to James Bond.

Joe: Herbie’s abilities were all over the place.

Steve: I think Herbie was actually possessed or something.

Joe: He could kinda talk, kinda drive on his own, kinda tell good from evil and kinda drive faster than a corvette.

Steve: Like he was a sentient car, but not because of a computer like KITT.
Just because he was alive.

Joe: Like Johnnie 5.

Steve: Yeah.
But with no laser.

Joe: The 1980′s were the last bastion of “electricity can make stuff live.”

Steve: I know.
Radiation was magic for a while.

Joe: Right.

Steve: That wore off and now it’s genetic engineering that gives us all our heroes and monsters.

Joe: Now it’s aliens and just straight up magic.
Yeah, genetic engineering too.

Steve: Spider-Man was originally bitten by a radioactive spider.
In the movie it was a genetically engineered spider.
Because we’ve learned since the 60′s that radiation either does nothing or it gives you cancer and you die.

Joe: That was one funny episode of Family Guy, where Mayor Adam West tries to get super powers by rolling around in toxic waste, only to get lukemia.

Steve: Oh WAIT!
The TURTLE VAN!

I know you remember the Turtle Van.

Joe: Oh yeah.
TMNT.
brb, bathroom
And we’re back.

Steve: Welcome.

Joe: I think that’s it.

Steve: Yeah.
Unless we count each and every car James Bond ever drove.

Joe: Nah.

Steve: Or if we’re going imaginary, then Ghost Rider’s bike.
OR
How about this:
Lame ass cars.
Partridge Family van.

Joe: Oh wait, one more for the cool list.
The Muppet Bus.

Steve: Oh yeah.
Sweet.

Joe: Let’s see.
Lame…
The second Knight Rider car.

A freaking Mustang.
Lame.
Almost every Cadillac in every movie ever.

Steve: Oh, all those cars from Knight Rider 2010.
Wait wait.
More for the cool list.
The Gran Torino.

And the Blues Brothers’ car.

Joe: I forgot to mention the Blue’s Brothers car, so totally.

Steve: And Mad Max’s thing.

Joe: Oh yeah.

Steve: The last of the V-8′s.

Joe: Mad Max was sweet.

Steve: Totally.

Joe: Almost any car from any scifi movie in the 70′s and 80′s was pretty lame

Steve: Yeah.

Joe: Those stupid cars in Minority Report were lame.

Steve: The cars from Timecop come to mind for me.

Joe: Nothing from Timecop comes to mind for me, but that’s just me.

Steve: Oh the Minority Report cars were almost as bad as the Timecop cars.
Bullitt’s Mustang. For the cool list.

Joe: Every Volkswagen Bus ever.

Steve: Hey!
I love Volkswagon buses.
I’ve always wanted one.
Since I was in junior high.

Joe: Well, you’re lame, but I already knew that.

Steve: Dude, you’re stupid.

Joe: Obviously, I’m talking to a lame person, so what else would I be?

Steve: Black Beauty from the Green Hornet.

That car was lame.

Joe: Dude, can we include Black Beauty the horse on the lame list?

And then shoot it and make it glue?

Steve: Sure, why not.
Fuck that horse.

Joe: I hated everything about Black Beauty, including My Little Pony, what had nothing to do with Black Beauty.

Steve: Alright, calm down there Dr. Doolittle.
You know what else was lame?
The car Bumblebee turned into in the Transformers movie.

That car would have been cool if I’d seen it in real life, but now it’s retarded by association.

Joe: Agreed.
Oh wait, cool car – ZZ Top thing.

Steve: Agreed.
Lame: Every car from every Fast and the Furious movie.

Joe: Ugh.
Let’s see.

Steve: THE MINI.

I loved the Italian Job, but SCREW THAT MOVIE for giving us that car.

Joe: Agreed.
My wife likes the mini.
Because it’s cute and small.

Steve: Your wife is wrong.

Joe: Hey, no wife talk.
I’ll punch you through the computer.

Steve: You let her continue down that path, she’s going to end up making you buy a Smart Car.

Joe: http://media.ebaumsworld.com/mediaFiles/picture/458062/80511886.jpg

Steve: Holy smokes.
Not so smart now, is it?

Joe: They aren’t cars, they’re cardboard bicycle covers.

Steve: Yeah.
Both of the words in the name are a lie.

Joe: True.

Steve: Cool car: Deathmobile from Animal House.

Joe: Agreed

Steve: MacGyver didn’t have a notable car.
He should have.
There should have been a MacGyver car.

Joe: It would be powered by apples and tuna fish cans.

Steve: Yeah, I guess that’s the problem.
If they focused on MacGyver’s car at all, we would have just watched him rebuild the engine out of random items every week.
To fix all the stuff he destroyed by doing that the previous week.

Joe: Okay, gotta do some work, talk later.

Steve: Later.

A Moment Of Silence For Dio…

Joe:

Steve:

Steve: Time’s up.

Batman 3: Starring Norm MacDonald as Quadriplegic Man

Steve: So now that Batman 3 has a release date, it’s officially time to start trying to guess the plot.

Joe: Riddler right?
That’ll be the bad guy.

Steve: Personally I think Two-Face is coming back.
Riddler will probably be in there too.

Joe: Probably, although now there’s no love interest, so that uncomplicates things.
They’ll have to throw a chick into the mix or do something with Alfred to get Batman pissed.
At least now Batman’s a bad guy in the eyes of the public.
So that’ll at least be a sub plot.
Or maybe they leave it ambiguous, like there’s an explosion and no one knows the deal.

Steve: Well Nolan has said repeatedly that they’re treating this like the end of the story instead of an infinite continuation.
So it’s very possible that Batman could get caught or killed.
You know who should be in it?

Joe: Scott Bakula?

Steve: Tweedle Dee and Tweedle Dum.
Or Humpty Dumpty.
Who’s another lame Batman villain?
Batzarro.
He definitely needs to fight Batzarro.

Joe: Hmmm, King Tut? Egghead?

Steve: Killer Moth.

Joe: Could redeem Mr. Freeze from Arnold’s shitty performance.
Although, that was more shitty writing.

Steve: I don’t think they’ll do Mr. Freeze.
They’ve been skewing a little less science-fictiony.
They didn’t even let the Joker have his chemicals.
If it gets too comic bookish, i think that’ll be a bad thing for this franchise

Joe: I think they stay simple with the Riddler and maybe Two-Face

Steve: Surely you’re not suggesting they won’t put Crazy Quilt in there?

Joe: Ha.
Maybe they introduce a female bad guy as a quasi-love interest like they did with Catwoman in the second Michael Keaton Batman.

Steve: Well, that could only be Catwoman.
I’m not sure but I think I read somewhere that Catwoman’s presence has been denied.
Oh no wait.
Mr. Freeze.
That’s what it was.
The only thing Nolan’s ever said is “It’s not Mr. Freeze.”
So I guess it could still be Catwoman.
But I doubt it.

Joe: Poison Ivy?

Steve: She was never a love interest.

Joe: Right.

Steve: Plus unless they really change her a lot, she’s gonna be too sci-fi for their tone.

Joe: But, if they did a finale with Catwoman, Batman, Riddler, Two-Face and throw in Scarecrow because Cilian Murphy’s awesome, I think they could do like a 2.5 hour movie that would be not as good as the second one, but still pretty good.

Steve: Clock King.
They need to make him fight Clock King.
You may have something there.
You know what?
They need to just take out every character that’s not Batman, Alfred or a supervillain.

Joe: Gordon?

Steve: Naw, screw Gordon, there’s not enough screen time.
Batman’s too busy punching Clayface.
And Killer Croc.
He could fight Kite Man, the Ventriloquist the Ten Eyed Man.
And The Mad Hatter.
Even the villains’ henchmen should be other villains.

Joe: Wasn’t the Mad Hatter just another version of Scarecrow?

Steve: No.
Mad Hatter was about mind control.
He did it with hats.
Scarecrow was about fear and he did it with gas.

Joe: OF COURSE!
Seriously though, keep it simple and they’ll make three consecutive good super hero movies. That has yet to be done.
Franchises are hitting one, maybe two good movies, but never three in a row.

Steve: Yeah, I think Nolan can do it.

Joe: First two X-Men, First two Spider-Men (really just the second one though), first two 90′s Batman movies, half of the first Fantastic Four movie.

Steve: You mean the last two Spider-Man movies.
First one was ass.
Third one was way better.

Joe: I give the first one a c+ and the last one a B, only the second one was really good

Steve: Agreed.
Well, I would say the third was good.
But just shy of great because of a few major problems.

Joe: I think the third one was too ambitious. Regardless, the one with Doc Oc was the best of the three, and neither of the other two live up to that one.
If the third Batman is any good, it’ll do what no super hero franchise has done so far.

Steve: Yeah, for sure.
I think it’ll be great.

Joe: I hope it will be.

Steve: And I think that because Nolan plays by his own rules.
Which is exactly where things go wrong with most superhero franchises.

Joe: Nolan seems like a really good, creative filmmaker.
I can watch The Prestige over and over forever.

Steve: Usually around the third one they start to try making it more like the comics instead of sticking to the vision of the films.
Which is a failing, I think. If the film worked, stick with what made it good.

The Great Televised Rage Machine …or: Why Can’t Joe Accept The Truth?

Joe: Worst show that lasted more than two seasons.

Steve: Oh jeez.
We’ll never get to the bottom of that list.

Joe: Yeah, okay, worst sitcom then.

Steve: Pssh.
Same response.
The Jeff Foxworthy Show.
The George Lopez Show.
Anything with that sort of title.
Grace Under Fire.

Joe: Oh my God, I always forget that show existed until someone brings it up, then I get headaches.

Steve: Yup.

Joe: Okay, how about this: show that should have lasted three years that got cancelled prematurely.

Steve: Firefly.
Dollhouse.
I can see already this list is going to be Whedon-heavy.

Joe: I have one easy answer “The Dana Carvey Show.”

Steve: I thought that show was on for a long time.

Joe: Nope.
Like 4 episodes tops.

Steve: I never actually saw it.
Chappelle’s Show.
It was 3 seasons, but it should have been a lot more.
Same with The Tick.
The animated one, not the crappy-ass live action one.

Joe: The producers said “do a sitcom as if it were a late night show.”
To which Dana replied, “You don’t really want that.”
To which the producers replied, “Yes we do.”
To which Dana Carvey replied:

To which the producers replied “Yeah, we didn’t want that.”

Steve: Huh
So it was terrible?

Joe: Mmmm…it was a late night show with Dana Carvey completely at the helm.
Can’t let artists do whatever they want. You get really amazing stuff and really shitty stuff with no balance.

Steve: I thought you were saying you liked it.

Joe: I did.

Steve: Oh.
Well then you were wrong.
Because this clip is dog shit.

Joe: It’s one small clip.

Steve: Ah.

Joe: Do you remember the election of 1996, Clinton v. Dole?

Steve: Yeah.
Nothing but great Norm MacDonald sketches.

Joe:

Steve: haha
Okay, that was good.

Joe: Watch the opening clip of this.

Steve: Wow, I can’t even get through that one.
No offense Joe, but I would have canceled this show too.
Maybe not quite so quickly.

Joe: You know what’s weird about that show?

Steve: What?

Joe: Steve Carrell, Steven Colbert, the guy who did Triumph the Insult Comic Dog and Louis CK were all on it.
That’s a lot of funny in one show.

Steve: Definitely.
I was a huge fan of Dana Carvey’s movies.
You ever see Clean Slate?

Joe: I think so.

Steve: It was great.
And Trapped in Paradise.
With him, John Lovitz and Nick Cage.
That movie was freaking funny.
Not to mention the Wayne’s World duelolloelogy.

Joe: Skip to 11:20 on that last one.

Steve: Nice.
I think I’ve seen that one before.

Joe: Like I said, extremely hit or miss.
If this came on today, it’d be Comedy Central’s best show, but some jackasses put it in primetime in the mid-90′s. Way too soon.

Anvil: The Story Of Anvil

Steve: Anvil: The Story of Anvil is the greatest documentary I’ve seen in years.
But I figured out why metal bands always end up on drugs and stuff.

Joe: Why?

Steve: Because if my freaking brain makes me listen to “Metal on Metal” one more motherfucking time, I’m going to have no choice but to start killing it with alcohol as quickly as possible.

Joe: True.
As much as I felt sorry for those guys, if you’re on tour with Bon Jovi and other major bands and you don’t get signed, it means you aren’t good enough.
That fake British accent was annoying.

Steve: Yeah, I agree about the accent, but I think they were pretty good.
I went to their website.
They’re actually doing really well now.
Did a world tour opening for AC/DC
Played the Independent Film Awards, where Dave Grohl ordered everybody in the room to watch the movie.

Joe: Good for them.
Maybe some dentistry work will be on tap.

Steve: That would be so cool.
For everyone.
You gotta think though.
When Lars Ulrich and Slash cite your band as an influence and you’ve never been signed…
That’s just weird.

Joe: Agreed.
But there are a thousand examples of that in stand up comedy. Guys who were just never that big but who watch lesser comics get TV shows, movie deals, bigger headlines, etc.
I mean, I hate Sarah Silverman, but every comic loves her and she can’t do better than a shitty Comedy Central show.
Public appeal and artist appeal are way different.

Steve: Yeah, I guess so.
That and being Canadian really can’t be good for your thrash metal image.
I mean…
I’m sure there are a couple of violent people in Canada.
But that’s hardly common knowledge.

Joe: True. Not the right nation to be from. Better in Eastern Europe, Scandanavia, Germany or the U.S.
Those are the metal nations.

Steve: Yeah.
Countries with guns and bloody history books.

Joe: Yep.

Steve: Not hidey-holes for draft dodgers.
Yeah, I said it.

Joe: Ha.

Steve: Everyone should go watch Anvil: The Story of Anvil right now.
http://www.anvilthemovie.com/

Jonah Hex and the Destruction of Hollywood Starlets


Steve: Yeah, I think the Jonah Hex movie looks like it might be really cool.
But that whole giving him a superpower thing scares me.
It implies that they think comic book fans won’t come see it if he doesn’t have a superpower.
Which will have the exact opposite effect, because those are the very people who will know they just twisted the whole concept of the character.
<Gasp> Not all comics are superhero comics. It’s just a western comic. So make a western movie.
That’s not so hard.

Joe: Right, I think it’s a grab at the general audience who may not know the comic but who will go see comic book movies.
I think Brolin will be good, the rest won’t.

Steve: Malkovitch will too.
And I don’t mind Megan Fox, but it depends on how they use her.
If they use her the way most movies use her, it’ll be terrible.
But it looks like they might actually be letting her wear clothes part of the time.

Joe: We’ll see.
I think that’s a comic that should be left alone when it comes to movies, but Hollywood never met an idea they didn’t want to destroy and put Megan Fox’s boobs into.
Seriously, can she just turn 40 and pose in Playboy already?

Steve: I disagree. I think Jonah Hex is perfect movie adaptation material, but they’d be better off not advertising it as a comic book movie.

Joe: It’s not that I think Hex is bad movie material, just that I think Hollywood can’t adapt stuff like that without destroying it. Can you imagine LOTR produced/directed/shot in Hollywood, or anywhere near America?

Steve: Yeah, true.
And I agree about Megan Fox.
But whenever there’s a new chick in her place in society, there’s always a part of me that hopes things won’t end that way for her.
Like maybe this time she’ll actually have a decent career, not become an unwed mother, not get divorced six times, not pose in filthier and flithier magazines until she dies of a drug overdose…
There’s always hope.

Joe: I agree with you on hoping actresses don’t get willingly exploited, but there’s not a lot of positive history when it comes to that sort of thing.
The other path is to turn into Sharon Stone, do Basic Instinct 2 and gross out the universe.

Steve: Yeah.
One or two of them could become Sandra Bullocks.
But even she’s getting divorced now.

Joe: Well, she chose to marry a guy who was married to a porn star. You really can’t have any clearer indication of what you’re getting yourself into.
So, that’s all on her in my opinion.

Steve: I didn’t know that detail.

Joe: It’s less tragic to me than it is retarded.

Steve: Impressive.

Joe: Yeah, anyone who is shocked is also shocked that politicians hire slutty interns, bankers manipulate financial systems and premarital sex leads to unwanted consequences.
What!?  Sleeping with my boyfriend lead to herpaids!?  Oh my!

Steve: Seriously.

Disturbing

Steve: I have never met Tommy Lee or any member of Mötley Crüe

Joe: Ok.

Steve: Nonetheless, I just came across some pictures of them on Wikipedia.
And I can smell the beer and cigarettes from here.
Through the freaking internet.

Joe: Yeah, pretty much.

HERE I AM! ROCK YOU LIKE HURRICANE! or: Journey Vs. Neil Diamond and the 1980′s Power Force


Steve: SOMEDAY!
LOVE WILL FIND YOU!
TRUE LOVE!
WON’T DESERT YOU!

Joe: What’s that from?

Steve: Journey.
It came on Pandora just now.

Joe: Journey makes me want to find an epic enemy and defeat him with a sword and/or axe. Then make love to my wife while listening to more Journey.

Steve: Absolfuckinglutely.
Journey makes me want to jump out of an airplane with a knife in my teeth and crash through 18 skylights on my way to a fistfight against 40 guys.
Then make love to my wife while listening to more Journey.

Joe: Agreed.
What metal bands are the most inspirational?

Steve: Journey’s not really metal.
They’re more just awesome.

Joe: True.
They’re borderline hard rock.
Truly inspirational though.
Although, listening to Journey in my office is like taking steroids before a nap.

Steve: Oh yeah.
Journey is to music what Red Bull is to food.

Joe: This brings up a great question though “What is the most inspirational rock song of the 80′s?”
And, I actually have the answer, it’s sort of a no brainer.

Steve: What’s your answer?

Joe: Eye Of The Tiger.
I don’t even think there’s any room for debate.

Steve: Yes there is.
Because I’m disallowing songs that were written for movie soundtracks.
Now it’s suddenly much harder.

Joe: That’s true, but if we were allowing soundtrack songs, Eye Of The Tiger wins hands down.
Otherwise, it’s tough.

Steve: Oh yeah totally.
Eye Of the Tiger is the punch in the face of songs.

Joe: You’ve got that Whitesnake song with the lyrics “here I go again on my own.”
You’ve got Bon Jovi’s Living on a Prayer.
Pretty much anything Journey did after Jan. 1, 1980.
Bruce Springsteen’s Born in the USA seems inspirational until you read the lyrics and realize it’s an anti-war song from the most depressing singer ever.
Although, Born to Run was pretty inspirational.

Steve: Sweet Child O’ Mine.
Oh, btw I just listened to that Whitesnake song.
It sucks.

Joe: You suck.

Steve: Back in Black.
That’s inspirational in a different way.

Joe: Right.
Welcome to the Jungle isn’t inspirational, it’s just really good.
What’s the other huge Guns N’ Roses song from the 80′s?
I’m blanking.
Don’t Stop Believing by Journey.

Steve: You were thinking of Paradise City
But I have the mother lode right here.
Neil Diamond.
Coming to America.

Joe: Oh yeah.

Steve: Fuck every other song.

Joe: That might win hands down.
Everywhere around the world, they’re coming to America.

Steve: Every time that flag’s unfurled,
They’re coming to America.

Joe: Danger Zone by Kenny Logins is inspirational, but it got butchered by commercials and pop culture.
It was awesome, but on the line of cheesy and then got used way too much.
Jukebox Hero by Foreigner is okay, but not quite inspirational.
Take On Me by Aha is like romantic inspiration, but not quite what we’re looking for.

Steve: Wasn’t Danger Zone from Top Gun though?

Joe: Oh right.
Sorry.
Dude, Eye Of The Tiger is still awesome, but I think Coming To America might just be the most inspirational song of the 1980′s.

Steve: Man in the Mirror…
Even MJ can’t beat Neil Diamond on this one.

Joe: Yeah, Man In The Mirror is really good.
True.
If Mexican immigrants wanted to make everyone pro-illegal immigration, they’d hire a commercial crew to play that music over photos of them being arrested by cops at the border.

Steve: I’m an amnesty supporter
I think it sucks that there are so many illegals here, but only half as much as it sucks how hard it is to come to this country legally.

Joe: Wait, what was the James Brown song from Rocky IV?
Living In America.
That was cool.

Steve: Oh yeah, living in America rocks.
But that might be from the 70′s.

Joe: True.

Steve: No, it’s from ’85.

Joe: Wait.
That might be a movie song too.

Joe:

I’m ready to fight someone in my office.
I’m gonna go punch a secretary.

Steve: BUM!
BUM BUM BUM!
BUM BUM BUM!

Joe: Dammit this is hard without movie songs.

Steve: BUM BUM BAAAAAA!
I don’t think Living in America was actualy written for Rocky IV though.
I think it was just used in it.
So it still counts.

Joe: Ok.

Steve: But it still doesn’t beat Neil Freaking Diamond.
Who saw that coming?

Joe: I know.

Steve: That’s like Flanders winning a shootout against Delta Force.

Joe: Yeah…what?

Steve: Neil Diamond = Flanders.
All other 80′s rock stars = Delta Force.
Inspirational songs = bullets.

Joe: Yeah Steve=what?
Anyway.
That was way easier than I thought it would be.

Steve: Yeah for real.

The most evil man of our generation? Where do you stand?

Joe: Can Christianity disown Mel Gibson?

Steve: I don’t want to disown Mel Gibson.
The Passion of the Christ and Signs alone should lock him in forever.
So he went on a racist tirade. That sucks, but look who his dad is.

Joe: I’m willing to forgive the Jewish thing, but not divorcing his wife.

Steve: That seems a little backwards to me.

Joe: That piece of shit Catholic makes his own church to be more traditional and then divorces his wife?
My point is, there are two major strikes against him, and one involves his particularly strong religious beliefs.

Steve: Him divorcing his wife is his business.
I hate divorce too, but this is the real world. People do it.
To me, it’s more about what he’s overcome.

Joe: I agree with you mostly, but not for a dude who’s more Catholic than the Pope.

Steve: Which is a lot if you consider his background.

Joe: Not for a dude who introduces the single most influentual film about Jesus, possibly ever.

Steve: I mean for a dude who’s THAT Catholic to even have anywhere near the level of revelation required to make the Passion is amazing.
He had a super racist dad and was raised in a church system that’s 99% spiritually dead.
Then he got super famous and became a well-known druggie/party animal.
Then he got saved and made the Passion.
Of course he’s got issues. He’s still cool in my book.

Joe: mmm… My frustration with anyone who wants to make their mark with their faith is that there has to be consistency. You and I are going to sin, as is any celebrity.
So I don’t have a poor expectation.
Where I have a problem is when sin is not followed by repentance.
Divorce is wrong, especially when you’re so Catholic you think the Pope isn’t Catholic enough.
You don’t get to be a publicly proud Christian who does not hold to his beliefs.
We can’t disown every Christian who makes a public mistake, but I can hold them to some level of consistency in their lives.

Steve: Well, I’m not here to defend the man’s sins, but I think disowning him as a body is exactly the wrong thing to do.
There’s never going to be a celebrity Christian that doesn’t sin.
The world needs to know that’s not what our religion is based on.

Joe: My point isn’t about sin.
It’s about repentance.

Steve: But he did repent. He had one of the most sincere repentances ever by a celebrity douchebag

Joe: For his divorce?

Steve: For his anti-semitic outburst. He doesn’t owe us a repentance for his divorce. That’s between him and his wife.
It’s got nothing to do with the public.

Joe: I disagree. If you get divorced, you don’t owe me an apology.
But a public Christian doesn’t get to sin in private and enjoy public praise.
Mel was a public Christian and made a very public film and presented his faith in a public way.
Then he gets divorced and doesn’t want to discuss it.
That’s just poor form.
Don’t bring out the faith card if you don’t want to be held to the standards.

Steve: I have so many problems with that view I don’t even know where to start.
But I think the primary thing is that I’m glad he’s actually been able to keep his life as private as he has.
If more celebrities succeeded where he has, the world would be a better place.
I don’t care why a stranger got divorced, Christian or not.
It sucks that he did, but for all we know it was really necessary for reasons that would be totally inappropriate to make public.
In fact, I can’t think of a reason for divorce that would be appropriate to make public.

Joe: My point isn’t that I’m prying, people who pry blow.
Don’t get me wrong, I’m not justifying the public.
I’m criticizing anyone who wants to be in the public eye on their own terms, especially once they introduce the Christian card.

Steve: Well, a man’s family is his own business, no matter who he is.
And I think you’re misrepresenting his intentions.
It’s not like he was nobody and then walked into the room yelling “I’m so great! I’m gonna be the Christian guy from now on! Everybody watch what I do!”
Dude was already one of the most famous people on the planet, and then he got radically saved.
And then God basically ordered him to make a film that only he could make.
All he did was make a movie.
And give one or two interviews for pretty much the only time in his life.
The fact that said movie was like the hugest deal ever was much more God’s doing than Gibson’s.

Joe: I have a quick question?

Steve: K.

Joe: How do you type with Mel Gibson’s dick in your mouth?

Steve: Dude, you’re lame.
Bottom line is this: Nobody in the world cares that he got divorced. Only extreme right-wingers like you care about that. That’s why nobody’s nailed him down on it in the media and THAT’S why he hasn’t discussed it.
In the end, what people will remember 100 years from now is the movie.
If he was being swarmed with reporters demanding an explanation for his divorce, he might be inclined to give one.
But he’s not. Nobody cares.

Joe: Listen, I don’t care that Tiger banged a thousand chicks, that’s his deal.
I don’t care that any professional athlete or celebrity has affairs, gets STD’s or does drugs or whatever.
I really care about professed believers not counting the cost when they make their faith public.
We look bad enough with Pat Robertson and other televangelists (and by look bad, I mean I can’t bring up Jesus’ name without people thinking about them).
To have Mel A. making anti-Semitic statements, and B. being a horrible Catholic in spite of his whole Catholic thing is embarrassing.
It’s not that I expect believers to be perfect.
I want them to be consistent, and he just isn’t, and it’s a really crappy inconsistency.

Steve: Maybe so, but what I think you’re not taking into account is that Mel Gibson getting divorced doesn’t make us look bad to anyone who’s not already a Christian.
Most non-believers don’t care about divorce.

Joe: That’s not true.
They care when it matters

Steve: Not as nearly as much. That’s why the tirade was a huge media bonanza and the divorce was a footnote.

Joe: I really think you’re wrong on this one.

Steve: I really think you’re wrong.
You’re being very judgmental about a situation you know nothing about.

Joe: I think you’re defending a situation you know very little about.

Steve: All I’m saying is it’s not our business.
And we can’t “disown” a guy for something that’s none of our business.

Joe: My point is, when you choose public life, especially with your faith, your private life doesn’t get to be out of bounds on your own choosing.

Steve: In fact, I rather prefer that there is a fallable Christian in the media.
I’d rather him than Pat Robertson any day.
Because Robertson acts like he’s infallible.
Gibson just lives his life.

Joe: I’m not criticizing his sin, Steve. I’m criticizing the fact that he’s not as open as I think he should be
If your sins aren’t as public as your accomplishments, there’s a problem.

Steve: I disagree. There’s nothing Biblical about forcing a man to strip naked in front of the world.

Joe: uh…Jesus?

Steve: In front of his covenant relationships, yes, but not in front of the camera.
Mel Gibson isn’t some preacher who took a bunch of people’s money and then slept with all his parishioners. That would require an apology to everyone he ever preached to.
He’s a filmmaker who happens to be a Christian and doesn’t like being in the spotlight, with or without his faith.
He’s always been known for that, even before the whole Passion deal.
I don’t require him to change that.

Joe: I only require believers to be consistent.

Steve: Right.
Well, we all should be.
And we’re all not.
And he isn’t either.
Big whoop.

Joe: For a public believer it’s more than a big whoop to me

Steve: So you’ve said.
But honestly, what’s he supposed to do? Hold a press conference and say he’s very sorry, but he’s got to divorce his wife because
… fill in the blank?
That’s bullshit.

Joe: Yes.
Bible says “dont’ desire to be a teacher.”
If you want the praise, you don’t get to trade the mocking.

Steve: When did he desire to be a teacher?
You’re assigning all these roles to him that he doesn’t fit.
He’s just a guy who makes movies.

Joe: Dude.
Are you seriously shrugging that off?

Steve: YES.
You’re making no sense.

Joe: I’m fairly certain “teacher” should be taken for a position of influence, and any person of influence should be aware that they will receive a double judgment.
Film maker, teacher, politician, etc.

Steve: I agree, but you’re skipping over the “desire” part.
Mel Gibson has done nothing his entire life but shun the spotlight.
He is the living epitome of the artist who’s famous against his will.

Joe: He did Lethal Weapon 4.
He Did What Women Want.
He’s a super popular actor who’s a lady’s man.
Let’s not deify him.

Steve: I’m not deifying him. You are. You’re saying that when he reached a certain level of recognition for his gifts, he should have either quit working or thrown his life open for all to see.
No sale.
I’m really not defending his sins.
Divorce sucks.
And I’d bet money his reasons for doing it were not justifiable.
But it’s still nobody’s business but the people involved.

Joe: Because he’s chosen a public life, I disagree.
But I guess that’s where we stand.

Steve: I guess so.

Joe: Last word.

Steve: GOFUCKYOURSELF!

Joe: Nope, I already got the last word.
See, it’s up there.
Last word again.
Final word.
Last word in.
I win.

Steve: Mel Gibson is standing behind you with a knife.

Joe: I wouldn’t be surprised, he’s kinda nuts.

Steve: Why are you so interested in Mel Gibson’s nuts?
Now the truth comes out.

Joe: You’re right.

Steve: You don’t want him to just expose himself to the public, you want him to EXPOSE himself.

Joe: I wanna be nuts to butts with Mel Gibson and Danny Glover.

Steve: They call that a Lethal Weapon Special.

DON’T! DRUG! MY! F@#KING! MILK! MOTHERF@#KERS!!

The-A-Team-tv-09a-team_1983_group_promo_photo_001hr_The_A-Team_3

Joe: What actor is playing Murdoch? Don’t recognize him. Oh yeah, and I will fucking kill someone if Mr. T doesn’t play B.A.

Steve: Sorry.
They got some UFC fighter.
Because for some reason Hollywood thinks anyone gives a shit about the UFC.

Joe: Dude, what the fuck?

Steve: Seriously.

Joe: First off, Murdoch is still alive. Second off, there are a thousand funny actorrs who can play Murdoch.

Joe: Third off, without Mr. T in the film I will literally bomb the studio.
I mean that.

Steve: Let me explain something: The A-Team was not cool because it was a bunch of ex-military guys clearing their names.
It was cool because it had MR. FUCKING T!

Joe: Yes. Yes. Yes.
Dude, it’s bad enough there’s no more George Peppard, but that being said, Face Man and Murdoch are still alive.
Make the film with the original cast and cast an actor as either George Peppard’s son or brother or cousin.
But don’t fuck with the A Team!!!!!!!!!!
They’ve already raped GI Joe and if they rape the A-Team, I’ll fucking kill a studio exec.

Steve: Yeah.
I want to believe in the A-Team, but they’re making it real hard.

Joe: I don’t want to believe. If they are going to remake a beloved 80′s product, fuck them. We don’t need Hollywood. I hate Hollywood. How do you not make Mr. T the Mr. T character? Everyone fucking loves him! If Mr. T had been in Star Wars, those movies wouldn’t have sucked!

Steve: That is true.

Steve: But from the beginning I’ve believed this movie COULD be okay if the originals make a cameo somewhere.
If Mr. T signs off on this weird guy Jed seems to have heard of, then maybe I’ll give him a shot. If not, then they’d better run because I AIN’T GETTIN’ ON NO PLANE!

Joe: I just hate this so much. I’ve been waiting for an A-Team movie for twenty years and for someone else to play B.A. is just unimaginable.